Spider-Man: Homecoming (2017) Review.

Even Tom Holland and Michael Keaton can’t save this from being the weakest Marvel movie since Thor: The Dark World. 

**

Spider-Man was a favourite of mine growing up. Everyone I knew wanted to be the famous web-slinger and have the ability to climb walls and shoot webbing out their wrists. Sometimes I think studios realise just how big a hero Spider-Man is to the world.

There is more pressure on making a Spidey film than say an Iron Man or X-Men film. Stan Lee’s teenage hero is the most relatable to many, which is one of the major reasons he is so adored. His alter-ego – Peter Parker – is a kid in high school, showing that you don’t have to be rich, or scientifically tested, or a god from another world in order to be a hero.

Sam Raimi’s ‘Spider-Man’ (2002) and ‘Spider-Man 2′ (2004), which starred Tobey Maguire as our hero, are without doubt the best superhero movies of their time- before the birth of the Marvel Cinematic Universe in 2008 with Iron Man.

Since then though, no has managed to capture what made the teenage hero so great in the comics on the big screen. Raimi’s Spider-Man 3 was a disaster. Then came ‘The Amazing Spider-Man’ (2011) and ‘The Amazing Spider-Man 2′ (2014), which starred Andrew Garfield in the title role. These films were full of action, but they failed to really capture Peter Parker.

Marvel managed to strike a deal with Sony to bring Spidey to the MCU; much to the delight of fans. Tom Holland (In the Heart of the Sea) was cast in the role and made his debut appearance in ‘Captain America: Civil War’, which was met with applause and cheers.

Now we have ‘Spider-Man: Homecoming‘, the first of a planned trilogy starring Holland.

The concept of this movie is to see Peter Parker struggle at balancing his heroic antics with everyday school-life. Unfortunately, the heroic action doesn’t look authentic and the school-life scenes are like watching paint dry.

Holland puts in an accomplished performance, as does Micheal Keaton (Birdman) as Adrian Toomes aka. The Vulture. But they can’t save this film on their own, and are let down by the supporting cast.

Aunt May (Marisa Tomei) and Michelle (former Disney star Zendaya) are hardly used, whilst Ned (Jacob Batalon) becomes increasingly like the friend that follows you around and never leaves you alone. The relationship between Holland and Batalon again seems staged and just wants to be more than it should be. The humour between the two failed to spark any kind of laughs.

On the bright side, Robert Downey Jr.’s Tony Stark was used sparingly throughout the film, which worked well. We have had so many collaborative movies recently in the Marvel Universe it’s seemed a lifetime ago since we had a standalone caper.

But there is one big issue that can’t be ignored. Director Jon Watts (Cop Car) has decided to take the movie and aim it at teenagers. It is a high-school movie and unless you are a die-hard Spider-Man fan, there is nothing to appeal to anyone over 25 years of age.

This adaptation is the best for 13 years since Raimi’s delicious sequel, but on the Marvel chain it slides down even below ‘Thor: The Dark World’.

 

Guardians of the Galaxy vol.2 (2017) Review

The hotly anticipated sequel to James Gunn’s 2014 intergalactic classic almost ticks all the boxes.

***

Coming out of the cinema like a herd of zombies at 3:00am last night, initial reactions to the newest chapter in the Guardians of the Galaxy franchise were mixed.

That has been the worldwide reception to James Gunn’s latest work, which sees the original team return for an all new adventure in what is the 15th movie in the Marvel Cinematic Universe.

Whilst this latest entry doesn’t reach the same level as Captain America: The Winter Soldier nor the original Guardians of the Galaxy, it is still an enjoyable, funny, action-packed thrill-ride which almost ticks all the boxes.

Chris Pratt is excellent once again as Peter Quill aka. Star-lord, who along with green mean machine Gamora (Zoe Saldana), a very comedic Drax (a fine performance by Dave Bautista, space racoon Rocket (voiced by Bradley Cooper) and the adorable Baby Groot (voiced by Vin Diesel), find themselves in trouble with ‘The Sovereign’, a community of gold people after a mission goes south.

During their run-in with ‘The Sovereign’ they meet Ego (played by Kurt Russell) who claims to be Peter’s father. From there we are taken on a story which delves into the complexity of what a family is and what it means to be one.

It is a very clever script written by director Gunn, who is able to use the wonders of the universe to his advantage.

There’s colour, wonder, and an amazing use of CGI to create worlds that the creative teams of the Captain America movies can only dream of. Of all the Avengers, only the Thor movies have the power to match the wonders on screen.

A special mention has to go to Michael Rooker, who returns to play Yondu the blue faced space pirate. Rooker’s performance outshines the rest of the cast by a country mile. Yondu’s storyline goes in so many different directions, which allows him to showcase his ability as a actor, an opportunity grabbed with both hands.

Also returning from the original is Karen Gillian’s Nebula, sister of Gamora, whilst there are cameo appearances left, right and centre.

Once again the soundtrack is out of this world. Nothing Marvel produces in the future will outshine the opening credits to this movie. Fred Raskin and Craig Wood’s editing is superb, the music choice is perfect, Henry Braham’s cinematography is amazing. It all fits together like a jigsaw puzzle.

The issue this film will inevitably face however is something that is out of their control. It’s how it coincides with the public’s expectations. The original was smothered with so much critical acclaim that perhaps following it up with a sequel that was just as good was always going to be a tough job. It’s obvious Gunn made a decision on where to take the franchise in order to push it forward, but it isn’t one that will please everybody.

In a nutshell, if you were hoping for a distinct sequel to the first, then you’ll probably come away from this movie disappointed.

The title itself tells us what to expect. The use of  ‘Vol.2’ shows that this is a brand new story – like picking up the next comic book off the shelf – with no major links to the original. It works as a standalone as well as a sequel, kind of like how Star Trek Beyond fitted into that franchise.

The movie also reminds everyone that Guardians isn’t closely connected like the rest of the Marvel Cinematic Universe. Where Avengers: Age of Ultron ties in with Captain America: Civil War, which subsequently then ties in with the upcoming Spider-Man and Black Panther movies, the Guardians still seem lightyears away in their own world despite sharing it with all these other superheroes.

However, that will surely change soon. For the first time we get a first hand account of just how awful Marvel’s big baddy Thanos really is from daughter Nebula. This could be the link where our heroes on Earth and the Guardians cross ahead of the upcoming Avengers: Infinity War, which is penciled in for a May 2018 release. It will be then that the main villain will finally get the screen time Marvel fans have been aching to see for the past 10 years.

12A, 138 mins 

 

 

Review: Doctor Strange (2016)

Benedict Cumberbatch stars as the arrogant neurologist turned powerful sorcerer in the majestic, visually-stunning superhero origin movie ‘Doctor Strange’.

The latest chapter in the Marvel Cinematic Universe (MCU) moves away from the blockbuster action genre we are accustom to seeing, and instead go down a path of magic and illusion.

Directed by Scott Derrickson (Sinister) and produced by Marvel’s ever present Kevin Feige, we meet the amazing yet self-indulgent Doctor Stephen Strange (Cumberbatch) who is more interested in his own ego then other people’s lives.

This is a role in which we have never seen Cumberbatch like this on screen before. His adaptation of Sherlock Holmes likes to show off, but at least he shows his compassionate side. Strange in comparison can only be described as an a****** who is good at his job and has a lot of money, a bit like a certain Tony Stark (better watch your back Robert Downey Jr).

When we see him involved in a horrific car accident which shatters the nerves in his beloved hands and ends his neurology career; he only wants one thing, to get healed and return to work, even if that means pushing away co-worker and former lover Christine Palmer (Rachel McAdams).

Our injured yet ignorant hero embarks on a trip to Kathmandu, Nepal and meets the Ancient One (Tilda Swinton).

Swinton delights as the bald-headed sorceress, and after showing Strange the power she possesses, she agrees to teach him, despite his apparent ego that casts a forever growing shadow.

Strange’s allies on screen also add to the many positives of the movie. Chiwetel Ejiofor as Mordo and Benedict Wong as (coincidentally) Wong bring heart and humour to the story.

It’s like a 15th century temple full of meditating butt-kicking monks, who read ancient books, and use staffs as weapons. But with wifi! Like Mordo says”We aren’t savages!”

About a third into the film we are all exposed to a extremely trippy trip through the multiverse, in a scene we can only kinda compare to 2001: A Space Odyssey. It is really something to behold and admire.

Then there’s the folding of the buildings, which instantly makes one think Inception, the 2010 thriller by Christopher Nolan. Again, it’s impressive but not original.

Mads Mikkelsen does his best to be the threatening Kaecilius. 10 years ago he was playing cards with Daniel Craig in Casino Royale as Le Chiffre, where he also tried his best to be a menacing bad guy. But in both movies he gets underused. More screen-time and character development could have really made him a menacing marvel villain.

The action sequences are, as is the norm with Marvel blockbusters, big and explosive. Buildings are turned and twisted inside out, with New York City turning into what can only be described as a giant monopoly board at one point.

Strange’s two weapons are the Cloak of Levitation, a garment with a mind of its own, and the Eye of Agamotto, a medallion that allows him to reverse time. Not quite the hammer of Asgard or a shield made out of Vibranium, but definitely affective. 

Overall, Doctor Strange is arguably the strongest origin movie in the 14-strong film franchise since Captain America: The First Avenger. It more importantly adds a new dimension to what is already a much widened MCU. It’s almost been a decade since Iron Man came out in cinemas, and since then we already have had the Avengers, space pirates (Guardians of the Galaxy) and now magic sorcerers.

Where does this behemoth of a franchise go from here?

Rating: ****